Tuesday, August 3, 2010

Ripley is a BAMF

Okay, I know that I haven't posted here in a billion years. Actually, more like two years, but that will change.

Short version of the long story is that I've graduated from college and now am looking for longer than part time employment. This free time means that I will be able to catch up on my movie list and knock out reviews.

I've decided to alter the blog a bit. Instead of just tearing crappy movies a new one, I've decided to give honest reviews to movies that I've seen, good and bad alike.

So in following with this new decision, the first movie that I'm going to give an honest to God review is Alien.

I saw the movie in the library the other day, and since I hadn't seen the film since I was in 6th grade, I decided to give it another viewing, now that I'm older and better able to appreciate the film as a whole.

I really liked Alien. I loved the Ripley isn't the typical female protagonist that starts out in lacking strength/moxie/guts/ability only to become a bad-ass by the end of the movie. She is already a bad-ass. She's good at her job. Yes, she grows as a character (and she is far more bad-ass in the next two installments of the franchise) but she is believable as a character and a woman. Smart and as level-headed as one in terror can be, she was one of my first examples of what I wanted to be when I grew up when I first saw the movie all those years ago. That hasn't changed one bit.

I appreciate that it is made exceptionally clear that if they had listened to Ripley at the beginning of "The Incident" they probably would have made it back home with minimal loss of life.

For a film that was made twenty some-odd years ago, it stands up. The dark ship is still creepy. The technology on the ship, while slightly outdated, is passable. And the Alien itself is still scary. There is a minimum of hokey special effects that tended to be prevalent at the time.

If you want an awesome alien movie that features one of the baddest of the bad-ass chicks on her way to becoming even more epic, check out Alien.

Tuesday, November 11, 2008

Been a while

Sorry to have had such a long gaps between posts. Time seemed to slip away due to school, work, and a number of "real life" situations. This update is going to be a short but a more detailed review shall be posted either later tonight or tomorrow.

I recently rented Hostel II, against my better judgment. I knew that it was not really going to be a "good" movie, or even so laughably bad to make it enjoyable. It was, as expected, almost pure torture porn, to use a now socially acceptable description of gore-fest movies that also have a heavy dose of T & A.

I do have two noteworthy observations about the film.

The first one is that the human body can only take so much stress and abuse before the person passes out, even if they are running on adrenaline. So half of the victims would most likely only be conscious for about half of the time the movie portrays them being aware enough to beg for their lives.

Secondly, the people doing the torture don't seem to care about hygiene or sanitation. Now, I don't mean that their tools for torture weren't bright, shiny and sterilized. No, my concern has to do with a specific scene. A scene in which a naked young woman is suspended (upside down, mind you) over a tub surrounded by candles and a slightly older naked woman comes in, lays in the tub, and then cuts the holy Hell out of the girl. You know, the whole, killing her slowly while bathing in her blood.

Now, who screened the victim? This woman is getting the blood of a stranger dumped all over her, and into her eyes. Personally, I hope her victim had AIDS, HIV, or Hepatitis. It would be kind of poetic to be "killed back" in that manner.

Monday, September 29, 2008

2001 Maniacs: A T&A Gore-fest

The reason I even picked up 2001 Maniacs is because it had Robert Englund on the cover. His stint as Freddy would be the only thing that would make me even consider watching a movie about crazed, backwoods, cannibalistic Southerners. That being said, even Robert was not enough to make this movie really enjoyable.

The movie drags along for at least a half an hour, just getting the young adults that are going to be murdered to the town inhabited by the people that are going to murder them. I’m not going to go into how they manage to find their way to the random town but rest assured by this time, you are annoyed with them and just want them gone. They have no survival instinct anyway. Darwin would be pleased with the weeding of the gene pool.

I say they have no survival instinct because two of the people that join the young college co-eds are an interracial biker couple (Black man and Chinese woman). One would think that an adult Black male would decide that staying in a podunk town festively decorated with Confederate flags would be a bad idea. Hell, I’m a White woman and I would have been out of there faster than you could say, “Do you hear banjos?” But no, he stays, despite a blatantly racist bellboy who responds to his question of “Where do all the Black people hang?” with “Out from that tree yonder”. Again, I would have been gone. But no, he and his girlfriend decide to stay and enjoy the hospitality of blatant racists.

Just in case there was any doubt in your mind, this movie will quickly devolve into a T&A gorefest. It is not really surprising, considering that each of the boys, save for one, is heterosexual and horny. The other boy is homosexual and horny. There are 3 women that were in the group (2 co-eds, and the Chinese biker). One of these female co-eds develops feelings for one of the boy co-eds, the Chinese biker chick is in a committed relationship, which leaves the final girl (Kat) vulnerable to the attentions of the prettier hillbilly boy.

Starting with Kat (who gets drawn, quartered and fed to her unwitting friends) the others eventually get killed off by the crazy Southern cannibals. This all happens in the span of about two days, which is amazing, because the group of young adults there don’t care enough about their friends to stop everything and hunt them down. The Southerners are counting on this however, and have simple excuses, such as, “Oh she went off with that other guy” (that other guy is also missing and thus, unable to provide any answers).

The victims in this movie are just like sheep to a slaughter. They are easily divided from the herd and done in one by one. This is interspersed with Robert Englund’s character talking to his two boys (both are stupid but one continuously chases a sheep, named Jezebel, with carnal intentions) and telling them the plans of how they are going to kill the Yankees. I’m not going to go into the deaths of the kids, but I’m going to say that at least one would have been easily avoided, had the Chinese girl actually paid attention to what was going on around her. She starts out square dancing with some of the Southern girls and is led up the a small podium under a heavy cast iron bell. Granny, who is the town’s matriarch, is the one “calling” the square dance and starts talking about the “pretty China doll” and how she doesn’t know what is going to happen to her. Now, I would have stepped off the podium, or at least stopped dancing, especially when Granny grabbed the rope. However, she does not, and she gets smushed because of this. The gay guy, that has been watching this, stops clapping in tune with the song when he starts to realize that something is amiss. His gay Spidey-Sense, which he has been ignoring, has finally kicked in. She gets crushed, and he runs away, however, his legs are now as useful as noodles, because he keeps falling and is eventually caught. He dies after baiting Englund’s character with the knowledge that his son loved getting fucked by a man and he made him squeal like a piggy.

The movie ends with a boy and a girl managing to get away, looking like they have been pretty roughed up. They make their way to the local sheriff and tell him what happened. He follows them in his truck back to where the small town with the crazy people murdered their friends. When they get there, they only find a cemetery. The sheriff bitches the two out and tells them that if he had a dollar for every drunken college kid that played this prank on him, he could have retired years ago. The boy apologizes, and says it was a prank. The sheriff leaves and the two kids read the grave marker for Robert Englund’s character which says, that the graveyard is populated with the towns people that were murdered by a group of Rebel Yankee soldiers and they won’t find rest until each townsperson is avenged via blood. The two then ride off into the afternoon/sunset. This does not last long, however, because one of the crazy Southern teens strung a line of wire across the road, which, since the two are riding a motorcycle, does not end well. He then collects their heads and walks off into the sunset.

What is most frustrating about this movie, is not just the horrible acting, save for a handful of performances, it is not the way it alternates from being well shot to looking unprofessional, or even the way how it makes sure that everyone in the small Southern town is not just a stereotype but an over-exaggeration of just about every stereotype imaginable, it is the fact that all of the young adults could have made it out alive. The only reason they stayed in the town for as long as they did was because they didn’t want to offend the villagers. Their cell phones still worked. They knew where their belongings were. They could have easily just gone off into the night, or Hell, early morning. If they were afraid that their actions would have offended the Southerners, they could have easily lied about why they were leaving.

The plot holes keep the movie from being truly enjoyable, even though Robert Englund tries his hardest to have fun with his part and to make the audience have fun with him.

Monday, September 22, 2008

Hello All

Hello weary travelers, welcome to my little piece of paradise.

As a part of my weekends, I've been enjoying watching random movies from Blockbuster that I normally would not watch. Some of these turn out surprisingly well. Some of these movies turn out exactly as one would expect them to. Others, however, are just begging to be mocked. Their only humor comes from aspects of the film that were, in all honesty, probably not meant to be funny.

The movies I'm going to be reviewing are mainly going to be Science Fiction, Horror, and Action. The reason for this is because these are the easiest to sit through if they turn out badly. I plan to stay away from films that have been overly reviewed, and will probably only review classic films once in a while.

So lay back, grab a drink, and decide whether or not you want to watch these films yourself.